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March 3, 2025 3:15 pm

Controversial Israeli-Palestinian Film ‘No Other Land’ Wins Best Documentary at Oscars

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    avatar by Shiryn Ghermezian

    Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham win the Oscar for Best Documentary Feature Film for “No Other Land” during the Oscars show at the 97th Academy Awards in Hollywood, Los Angeles, California, US, March 2, 2025. Photo: REUTERS/Carlos Barria

    An Israeli-Palestinian film that focuses on the demolition of a small community in the West Bank and is critical of Israel’s military actions won best documentary feature film at the 97th Academy Awards on Sunday.

    “No Other Land” chronicles Israel’s destruction of Palestinian homes in Masafer Yatta, a collection of villages in the West Bank, and the struggles of Palestinians who confront Israeli armed forces over being evicted from the land so it can turn into a military training facility. The one-sided film depicts Israel as a violent land stealer that oppresses, displaces, and brings suffering to Palestinian families in Masafer Yatta, without explaining that the Palestinians illegally built homes on land that Israel had claimed for a military training zone in the 1980s.

    “No Other Land” was made by a Palestinian-Israeli collective of four young activists including Basel Adra, a Palestinian who lives in Masafer Yatta with his family. He made “No Other Land” with Israeli journalist Yuval Abraham, Israeli cinematographer Rachel Szor, and Hamdan Ballal, a Palestinian photographer and filmmaker. “‘No Other Land’ is an unflinching account of a community’s mass expulsion and acts as a creative resistance to Apartheid and a search for a path towards equality and justice,” according to the film’s synopsis, which also accuses Israel of “occupation.”

    Even though “No Other Land” ended filming in 2023, before the start of the Israel-Hamas war, the filmmakers criticized Israel’s military actions in the Gaza Strip and the West Bank during their acceptance speeches at the Oscars.

    Adra said the film “reflects the harsh reality that we have been enduring for decades.” He called on the international community “to take serious actions to stop the injustice and stop the ethnic cleaning of Palestinian people.”

    “About two months ago I became a father and my hope to my daughter that she would not have to live the same life I’m living now, always fearing settler violence, home demolitions and forcible displacements that my community Masafer Yatta is living and facing every day on the Israeli occupation,” he told the audience.

    Abraham briefly mentioned the hostages abducted by Hamas terrorists on Oct. 7, 2023 — many of whom remain held captive in Gaza by the US-designated terrorist organization — before further criticizing Israel and accusing it of displaying “ethnic supremacy” in its treatment of Palestinians. He also attacked US foreign policy, claiming it hinders peace between Israel and Palestinians.

    “We made this film, Palestinians and Israelis, because together our voices are stronger. We see each other. The atrocious destruction of Gaza and its people, which must end. The Israeli hostages, brutally taken in the crime of Oct. 7 which must be freed,” he said. “When I look at Basel, I see my brother, but we are unequal. We live in a regime where I am free under civilian law and Basel is under military laws that destroy his life, and he cannot control [it]. There is a different path, a political solution without ethnic supremacy with national rights for both of our people. And the foreign policy in this country is helping to block this path. Why? Can’t you see that we are intertwined? That my people can be truly safe if Basel’s people are truly free and safe. There is another way. It’s not too late for life, for the living.”

    “No Other Land” has won several awards, including the prestigious Berlinale Documentary Award and Panorama Audience Award for Best Documentary Film.

    Israel’s Minister of Culture and Sports Miki Zohar said in a post on X that the film’s Oscar win on Sunday was “a sad moment for the world of cinema.”

    “Instead of presenting the complexity of Israeli reality, the filmmakers chose to amplify narratives that distort Israel’s image vis-à-vis international audiences,” Zohar wrote. “Freedom of expression is an important value, but turning the defamation of Israel into a tool for international promotion is not art — it is sabotage against the State of Israel, especially in the wake of the Oct. 7 massacre and the ongoing war.”

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